DOWNLOAD VELVET UNDERGROUND LIVE AT MAXS KANSAS CITY

DOWNLOAD VELVET UNDERGROUND LIVE AT MAXS KANSAS CITY

On this particular night, Brigid Polk – an associate of the V. So now you know the story behind Live at Max’s Kansas City. Rainy Day Relaxation Road Trip. What you may not know, however, is the origin story behind the album. This page was last edited on 20 March , at When it first came out, it was as a single album, with songs re-sequenced and edited by Reed and producer Geoff Haslam. If you read yesterday’s post about our Start Your Ear Off Right campaign, then you already know that we’ve just reissued the Velvet Underground’s classic Live at Max’s Kansas City on CD as well as on a 2-LP set gram vinyl, newly remastered for your listening enjoyment.

velvet underground live at maxs kansas city

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After the performance, Reed leaves the Velvet Underground and won’t return to their ranks until he, John Cale, Sterling Morrison, and Maureen Tucker decide to reform the band in the final days of August 23,New York City. On this particular night, Brigid Polk – an associate of the V.

Live at Max’s Kansas City

I’ll Be Your Mirror. Retrieved 4 September The Velvet Underground signed a two- album deal with Atlantic in early and released their fourth studio album, Loadedin November Inhowever, it was reissued as a deluxe edition, this time offering the entire concert – both sets, which amounted to a total of 17 songs – and with the songs in the order that velveet were originally performed.

velvet underground live at maxs kansas city

When it first came out, it was as a single album, with songs re-sequenced and edited by Reed and producer Geoff Haslam. From Wikipedia, the free encyclopedia.

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The absence of Maureen Tucker on drums who was pregnant and sitting out the Max’s shows makes an even bigger difference; the replacement of her steady, tribal pulse in favor of Billy Yule ‘s busy, sometimes sloppy style does these songs no favors. Author Jim Carroll can be heard speaking on the album, ordering drinks and inquiring about drugs between songs as he was the one holding the microphone.

Polk recorded almost everything happening around her at the time, and this happened to include her attendance of the last concert that Lou Reed played with the Velvet Underground. By using this site, you agree to the Terms of Use and Privacy Policy.

Live at Max’s Kansas City – The Velvet Underground | Songs, Reviews, Credits | AllMusic

But there are a few lovely moments, including rare live performances of “After Hours” and “Sunday Morning,” and Reed and Sterling Morrison lock guitars with their usual authority on “Waiting for the Man” and “Beginning to See the Light. Live at Max’s Kansas City Drinking Hanging Out In Love. She recorded both the early and the late set. Pale Blue Eyes Lou Reed. It was originally released on May 30,by Cotillionunnderground subsidiary label of Atlantic Records.

There’s a certain amount of disagreement among Velvet Underground scholars regarding whether or not this album, recorded by Andy Warhol associate and longtime fan Brigid Polk on a portable cassette recorder on August 23,does in fact document Lou Reed ‘s final appearance with the VU.

Nuderground August 3,Warner Music re-issue label Rhino Records released a two-CD Deluxe Edition that kahsas both sets in their entirety in their original running order.

At this point, the band was near the end of a three-month residency at Max’s, doing recording sessions for Loaded during the day, a schedule that would tax most performers. The songs were recorded on a mono underggound using a simple ferro musicassette in a small venue, resulting in tape hiss and an audience often drowning out the quieter bits of music. If you read yesterday’s post about our Start Your Ear Off Right campaign, then you already know that we’ve just reissued the Velvet Underground’s classic Live at Max’s Kansas City on CD as well as on a 2-LP set gram vinyl, newly remastered for your listening enjoyment.

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Fun for fans, but Beginning to See the Light Lou Reed. Stream or buy on: Retrieved March 20, — via robertchristgau.

Live at Max’s Kansas City – Wikipedia

Originally, Live at Max’s Kansas City was a single album distillation of both sets re-sequenced and edited by Lou Reed and Atlantic staff producer Geoff Haslam to reflect the band’s loud and quiet sides, respectively.

Retrieved from ” https: I’m Waiting for the Man Lou Reed. If this wasn’t his last stand with the group, it was certainly close to the end of the line, and while the performance is technically strong, it undergrouund especially inspired, with Reed sounding more than a bit weary. Please enable JavaScript in your browser to use the site fully.

velvet underground live at maxs kansas city

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